The Mill on the Floss by George Eliot 1963 Illustrated Heritage Press Hardcover Book in Original Slipcase with Sandglass Pamphlet

The Mill on the Floss by George Eliot 1963 Illustrated Heritage Press Hardcover Book in Original Slipcase with Sandglass Pamphlet

<Condition is Very Good as Pictured> (normal wear with markings, slightly bumped/rubbed corners, age appropriate toning to interior pages, visible edge-wear, spine is faded, slipcase is lightly soiled with markings/edge-wear) size is approximately 10” x 6.75”

—The Mill on the Floss is a novel by English author George Eliot, first published in three volumes on 4 April 1860 by William Blackwood and Sons. The first American edition was published by Harper & Brothers, Publishers, New York.

Spanning a period of 10 to 15 years, the novel details the lives of Tom and Maggie Tulliver, siblings who grow up at Dorlcote Mill on the River Floss. The mill is at the confluence of the Floss and the smaller River Ripple, near the village of St Ogg's in Lincolnshire, England. Both the rivers and the village are fictional.

—>From a review…”Upon completion of the The Mill on the Floss, I realized that I had just finished something monumental—a staggeringly amazing literary achievement. This novel, written by ‘George Eliot’ (Mary Anne, or Marian Evans), and first published by Blackwood and Sons in 1860, could have just as easily been titled, “Pride and Prejudice” had not that title been put to use already. Some twenty-four hours after finishing this book, I am coming to the conclusion that Eliot may, in fact, represent the absolute pinnacle of writing in the Victorian Age. This is not, in any way, shape, or form, a “Silly novel by a Lady Novelist” (see Eliot’s essay “Silly Novels by Lady Novelists,” Westminster Review, October 1856). This novel is not of the “mind-and-millinery,” “rank-and-beauty,” or of the “enigmatic” species. This is a novel in the finest tradition of Realism, and I can’t help but think that it must have served as some form of inspiration for the later naturalism of Thomas Hardy.”

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